best video camera for stage performance
I’ve been shooting with the GH5 for Stark Insider (interviews, short films, travel videos) for the past few years, and it’s really an impressive camera, most notably the IBIS (you can use non-stabilized lenses handheld) and 10-bit codec (better for color grading). Compared to the compressed formats most video cameras use, this means more detail and greater flexibility for color grading footage in post. The sensor and lens work together with a 273-point phase-detection autofocus for smoother focusing with more accurate subject tracking. It comes with manual settings similar those on a professional-level camera, easily adjusted on a user … I always remind myself that the camera alone won’t make or break me. If you’re an indie filmmaker or documentary producer, chances are you already know about this camera. I started with a Canon Vixia Camcorder, then took up the DSLR video revolution with open arms with the intro of the Canon Rebel T2i (the then sweetheart 5D Mark II was out of my budget). When using the optional XLR microphone adapter, the camera can save four independent audio channels internally. The Sony A7S III also boasts several features that both still and video shooters will appreciate, like the new electronic viewfinder that boasts over 9 million pixels. I think it’s an excellent choice — but, Panasonic’s contrast-detection autofocus simply doesn’t keep up with Sony’s better technology, and I think the average YouTuber will find the A6600 a bit easier to work with because of this. There’s just about nothing it can’t do, and thanks to firmware updates over the years, Panasonic continues to spoil us with more and more features. Best for: Ease of use, rugged applications, “run-and-gun” and when auto-focus is needed (e.g. It doesn’t offer a log profile or external 10-bit recording, but it features great autofocus and a fully-articulating monitor. They have relatively large sensors and interchangeable lenses. Compared to previous Fujifilm X-series cameras, the X-T4 also uses a higher-capacity battery, extending 4K video record time up to 110 minutes. Knowing the intended purpose, and then establishing a budget should make short-listing and ultimately choosing a DSLR or mirrorless camera much easier. Top 10 Best Low Light Video Cameras. It is, in a word, phenomenal. I’m not a big fan of camcorders, and I think your smartphone is an adequate substitute for many situations. Don’t do what I and so many others tend to do from time to time and get locked in paralysis-analysis. What does this mean practically? But with so many choices it can be hard to decide which camera to buy — and, by the way, we should all agree that even that Android or Apple iPhone in our pocket or purse could do be perfectly suitable for the task at hand. Whereas most DSLRs and mirrorless cameras recorded highly compressed video, cinema cameras often offer uncompressed RAW files or lightly compressed filetypes like Apple ProRes. For most settings, clip length tops out at 20 minutes. At only $1,398 USD this is an impressive deal given the feature set. Best for: capturing 4K footage without requiring a rig. I’m especially interested to see what Blackmagic does with its next iteration of these cameras. First, I’d suggest you determine the intended use for the camera: Is it for filming a narrative, where each scene can be carefully composed and lit? Need help picking a camera to shoot video? Really impressive. You can even up your quality further by adding an Atomos Ninja V or similar HDMI video recorder. Lenses for mirrorless models such as the GH5 and a7S also tend to be quite small by comparison. Let’s face it: Your phone kind of sucks at recording audio, especially in a noisy environment. While several years old and with a smaller sensor than the X-T4, the GH5 remains a top contender in the video game, and one of the few cameras that puts no time limits on clip length. After that I upgraded to the EOS 60D to 70D and eventually 80D. If you are coming from the world of DSLRs or Mirrorless cameras – consider looking at those, the switch will be easy. You don’t need any of that necessarily — my favorite thing to do is to grab the GH5 and with nary a care or plan in the world go shoot an arthouse short film with Loni Stark. For now, the RX100 VII remains listed here. How to choose a microSD card for the Nintendo Switch. However, even the best video camera is nothing without great audio, and the A7S III also delivers here. The D780’s LCD screen tilts up and down, but that’s it, making it poorly suited to vlog-style shooting. I have the Canon 18-135mm STM kit lens on my 80D about 90% of the time (Clint’s Top 5: Best lenses for shooting video with a Canon DSLR with video examples), and it can get me close-ups, decent wide shots, and with stabilization I can get acceptable handheld work too. The benefits are a large sensor and interchangeable lenses, which improve video quality and creative versatility over the likes of camcorders and action cams. Or three. If I were just getting started in video, and wanted a high performance camera, and had yet to invest in Canon EF lenses, I might very well make the Sony a7 III my first choice for best overall video camera. Particularly with mid-range and high-end camcorders, video cameras often offer multiple different sizes of battery, with high-capacity options designed for such situations. Entry-level models are generally quite compact and able to be used one-handed, while higher-end models are larger and often include professional audio inputs and more controls. The video performance, while limited to relatively … Put quality glass on it, such as the remarkable Sigma 18-35mm ART lens, and prepare to be blown away by the results. Gorgeous. Whereas a mirrorless camera will easily have 20 or more megapixels, a camcorder or cinema camera tends to only have as many as it needs for video — for 4K resolution, that’s around 8MP. Neither will prevent you from getting your project done. The short flange-back distance of the Sony E mount also makes the A6600 very adaptable to other lenses, including those from Canon and Nikon DSLRs, which opens up a world of creative lens options. Several software features have also received important updates. The costumes are white, red, and black mainly. This uses artificial intelligence to track moving subjects and keep them tack-sharp — in both still and video modes. Calling the Hero9 Black an action camera isn’t the most accurate label. With that, here’s my short-list of the top 5 cameras I believe you should consider for shooting video. For YouTubers who need to be on-camera and don’t have the luxury of working with another person as a camera operator, Real-Time Eye AF will keep you in sharp focus even if you need to move around within the frame. If you opt to record externally over the HDMI port, the A7S III can pipe out 16-bit RAW video. The removable lens cover, a beloved feature of the Hero5 through 7, also returns (although is incompatible with those older cameras). Scanning forums for this thing vs. that thing; thinking deeply and lovingly over which camera to buy, and in the process ignoring your spouse’s adoration for Taylor Swift’s latest video. Built-in webcams 2. It may not shoot 8K, but the full-frame Sony A7S III is the best video camera you can buy. Today, most DSLRs and mirrorless cameras are “hybrid” cameras, meaning they perform well for both stills and video, even if they are geared more toward still photography. Things moves very fast in a performance and you have to make your camera adapt to what is happening on the stage, so you capture what you need. One thing the X-T4 lacks is time-limit-free recording. What separates them is the user interface, video-specific features, and higher-quality filetypes. Price-wise, it’s a bargain. There are so many important aspects to creating something people will want to watch: convincing acting, quality lighting, nicely composed shots, a compelling plot, among a very long list. It is a waste of time for the video … It records high-quality, edit-friendly filetypes including 10-bit Apple ProRes and even 12-bit Blackmagic RAW. Retailing for only $1,998 you might think otherwise, but keep in mind its nearest competitor is likely the Canon 5D Mark IV, another full-frame camera, yet priced about $1,000 more (Canon has since dropped the price). The autofocus system is also all-new, featuring on-chip phase-detection with face and eye-tracking that bring the A7S series in line with Sony’s other mirrorless cameras. What are the key features of a video camera? But I think it can even go toe-to-toe with cameras costing much more. Additional capabilities like HDR (high dynamic range) mode, 960-frames-per-second super slow-motion, and a hot shoe connection round out the feature set. Again, this is entry pro level stuff, so if you’re eyes are bleeding, then, well, just know you can do perfectly fine with some of my other picks above (hint: Panasonic GH5 or Blackmagic or Canon EOS 70D/80D, and you’re off to the races). Professional HD camerasWe are not going to look into professional TV/movie cameras because they cost thousands of dollars and won’t improve the effectiveness of your video lectures. In my experience, you can compensate for a ton of that with a good camera. Mic and headphone sockets, along with a selection of tools to help judge exposure make the RX10 IV one of the best and most flexible video cameras available. Also, important to note about the a7 III is that this is a “full-frame” camera. It’s also designed to be a single component within a larger rig, and many operators end up spending hundreds — if not thousands — more on accessories to fully kit it out. There’s true-to-goodness XLR inputs for capturing pro audio, the battery goes forever, and the ergonomics are perfect for run-and-gun, or setting up in a rig for shooting scenes for narrative projects. That makes it a better camera for vlogging than the Nikon D780 (if vlogging with a DSLR is something you’d actually want to do). No question, just a matter of time — when, in the history of video, have we ever not moved to higher resolutions?! Who’s it for: Photographers who need a capable one-camera solution for stills and video. So, heads up, if you do a lot of action work, be it sports or dynamic street videography the a7 III may not be for you (hint: look for a camera with a “fast sensor readout”). Add all that together, and you have a tantalizing product for those on a budget who don’t want to compromise on image quality. Note that to get best results you should use one of Canon’s new “STM” lenses. HyperSmooth 3.0 provides even better digital image stabilization with in-camera horizon leveling; TimeWarp 3.0 now allows you to slow down to either real time or half speed and records audio during real-time segments; and a number of automation tools allow you to program record starting times and durations. A professional video camera will have more direct access control — physical buttons and dials on the camera body — as well as a slew of input and output options for both audio and video. To help you make the best choice we have researched 30 new and bestselling cameras … Why should you buy this: The most versatile feature set of any action camera. This Blackmagic Pocket Cinema Camera 4K, for example, captures about 14 stops of dynamic range. Video can be recorded in either h.264 or h.265 compression at up to 280 megabits per second, or in a new all-intraframe codec at up to 600Mbps, which will result in larger files but will be less intensive on your computer when it comes to editing. If you need to film a long event — from a little league game to a wedding ceremony — you probably don’t want to risk running down your phone’s battery. Cameras in this category are great for those just getting started with live streaming. Because of the larger sensors, you won’t find any extremely long zoom lenses like you get on camcorders, but you will be able to choose from a wide selection of lenses that give you vastly different looks. The camera also introduces a fully-articulating LCD screen so that talent-operators (like vloggers and YouTubers) can actually see themselves as they shoot, while the effective face- and eye-detection autofocus does a great job of staying locked on to the subject. The 24-200mm, 8X zoom lens isn’t long compared to a camcorder, but it’s an impressive amount of range for a camera that can easily slide into a jacket pocket. The GH5 offers higher-quality 10-bit video files and some other pro-level features the Sony A6600 lacks. It’s extremely easy to find plenty of modern video cameras that let you film qualitative footage. Filmic. Strap one to your chest, stick it to your helmet, or mount it to your bike frame and just press record. And for good reason. What you get with the BMPCC 4K: best-in-class film quality footage, lots of dynamic range, an inconspicuous body that looks like an innocent point-and-click camera (great for capturing footage in museums, restaurants, or in top secret locations!). Yes, I love this camera (as I did its successor the 70D). The video quality is excellent. This lets you use a connected computer to adjust exposure, color correction, and even focus and zoom on supported lenses. Knowing that your eyes can barely keep up with all of the action, imagine how your “camera eye” will fare with the exhilaration of the dance. The f/2.8-4.5 aperture is bright for the category, working together with the larger sensor to improve image quality in low light scenes. Contrast that to a “crop sensor” such as the aforementioned 70D/80D (APS-C) that will capture an image zoomed in or “cropped” — in the case of the 70D the image is magnified by about 1.6, hence using a 50mm lens results in a images equivalent to 80mm. Another relatively new camera that has upended the <$3K market segment for DSLRs and video cameras. The X-T4 is the most balanced camera I’ve ever used thanks to a combination of great image quality, solid performance, and excellent video features. DSLRs may be good options for some controlled events like weddings, but if you’re going to be shooting a live stage event, you should consider using a … The touch interface is also brilliantly designed, making the PCC4K a surprisingly simple camera to use. Its smaller Micro Four Thirds sensor doesn’t have the resolution or low light sensitivity of the X-T4’s APS-C sensor, but it still takes decent still images, too. Canon C100 II EOS Cinema Camera, Zoom H1 field recorders with lavs, Sennheiser MKE 600 shotgun microphone, Atomos Ninja Blade external recorder, Canon C100 II EOS Cinema with Sigma 18-35mm ART F/1.8, Blackmagic Micro Cinema Camera with Panasonic Lumix 12-35mm F/2.8 (Chapter 3 only), Genaray LED lights, FilmConvert, LED strobes, a black box, stuffed toys, and one majorly willing wife. Just shake all that off I say. Ease of use, rugged applications, “run-and-gun” and when auto-focus is needed (e.g. Learning from it is a very satisfying feeling and engaging life pursuit. Dynamic. Footage out of the Blackmagic cameras is simply divine. Not only does the RX100 VII offer the most impressive video feature set of the series, but it also happens to excel at still photos, giving you a one-size-fits-all device for travel. Also, something I’ve learned over the years is that often a big camera — such as a shoulder-mounted rig — can often intimidate people (though not professional actors, for example). What you also get: poor battery life, quirky ergonomics, below average audio quality, short recording times, and a less established brand. Samsung Galaxy S20 Plus vs. iPhone 11 Pro Max: Get Plus or go Max. Unfortunately, the C300 retails for $14,999! The HF G21 is a great camera for beginners looking to shoot more professional video. Other pluses for the 80D include: long battery life, standard SD card slot for storage, and wi-fi (great for transferring photos to your smartphone while on the go). live action). Now I shoot on the fabulous Panasonic GH5. It is a new sensor, however, now backside-illuminated and with a lower base ISO of 80, features that should slightly improve noise levels and dynamic range. Why should you buy this: Beautiful 4K footage from a large, 1-inch sensor and bright zoom lens. Video … It uses a 20-megapixel 1-inch sensor (the same physical size as the AX700 above) matched with a fast Bionz X processor for detailed images and fast performance. As for me, I’ve been shooting video here on Stark Insider, at least professionally, since about 2006. There are many reasons why the Canon C100 may or may not be worth the significant jump in price. It is considerably more affordable than other cinema cameras and even cheaper than many hybrid mirrorless cameras that lack its video chops. To cut to the chase, here’s my top 5 best DSLR and mirrorless camera picks (read on for the long edition): Over the last few years the market has seen major advances when it comes to video. Buy a new mic eventually. Icing on the cake: Blackmagic cameras come with a free copy of DaVinci Resolve color grading and editing software. It works extremely well. Your video should be clean and natural like it was shot at one of your lectures or presentations. For the price, again, an astounding product. You’ll get slightly more dynamic range (or perceived dynamic range) and you’ll be able to get more of a film look and avoid the dreaded over-sharp camcorder look… to me, all worth the effort. I wanted to include it here to demonstrate how much value can be had from other cameras on the market (as mentioned above) for a lot less money. Dedicated microphone and headphone jacks allow you to upgrade the audio quality without any bulky accessories. For jobs that require photography and video, you can knock both tasks out with the same tool. It’s the highest-resolution EVF from any manufacturer, and gives photographers and videographers a bright, detailed view of the scene. Even at 4.2K, the camera can record 60 frames per second, but you’ll have to drop to regular 4K to hit 120 fps. … If I were shooting a narrative film, I’d go Blackmagic or RED. Instead the Canon C100 Mark II Super 35 cinema camera is a full-on, professional camera (though entry level in Canon’s range that includes the step-up C300 and C500) designed purely for shooting video. Among devices that offer actual value for a budget, the Sony HDRCX405 is the best camcorder around, and a great introductory camera for teenagers and first-timers. It shoots Full HD … 4K can be recorded at up to 60 frames per second, while Full HD is available at up to 240 fps for slow-motion playback. All the focus on video hasn’t changed Fujifilm’s core mission of delivering a top-notch photography experience. Then expand as you increase your expertise. Why should you buy this: Professional cinema quality at an enthusiast-friendly price. This is where a camera like the Panasonic Lumix GH5 comes in. For most mainstream video shooters, the Blackmagic will be a novelty, and a niche camera. These cameras, like the Blackmagic Pocket Cinema Camera that took the top spot on this list, share much in common with DSLRs and mirrorless cameras. There are a few key reasons why you may want a standalone camera, however. And, the C100 performs well in low light. Sony didn’t completely rewrite the formula for the A7S III. Upgrade your lifestyleDigital Trends helps readers keep tabs on the fast-paced world of tech with all the latest news, fun product reviews, insightful editorials, and one-of-a-kind sneak peeks.Digital Trends may earn a commission when you buy through links on our site. That alone might make it the perfect choice for you, especially if you shoot videos, say, at night, or in dark theaters, or at dimly lit weddings and receptions. But, guess what? It has a Super 35 sensor (which downsamples 4K automatically to efficient and beautiful 1080p HD files) so you can get that vaunted cinema-look. My trusty Canon EOS 80D fares less well, capturing about 10 stops. Use it, learn it. But how do you pick the perfect portable, handheld video camera when there are dozens of options? Because no mirror is used, the overall camera is compact compared to something such as–my sweetheart–the Canon EOS 70D. Best camera and microphone for under $200? Presently i use 4 camera angles to create … Blackmagic Design Pocket Cinema Camera 4K, Blackmagic Pocket Cinema Camera 4K review. All of these features mean the Sony RX100 VII doesn’t come cheap, but unlike traditional point-and-shoot cameras, it is built to last and should be viewed as an investment. Yes, a Fujifilm has made the list of best video cameras — and for great reasons. Hybrid Log-Gamma (HLG) and S-Log profiles are also included for capturing more dynamic range and creating video suitable for playback on HDR televisions. The 80D supports custom picture profiles (you can upload them to the camera from your computer). Although not as popular as they once were (you can thank smartphones for that), camcorders still come in handy when you need a compact, all-in-one solution for recording video. These are photo cameras that can shoot video — and some models are very good at it. If you’re like me you tend to over-research; Google-ing until the wee hours of the morning, wondering, and wondering over and over again, which camera to buy. You needn’t spend thousands for a full-frame camera to get film-like footage. It’s utterly fantastic. Why should you buy this: Professional 4K output and great autofocus. It turns the PCC4K into a viable studio camera, suitable for everything from professional livestream productions to a company Zoom meeting. Autofocus is slow and often inaccurate, and there is nothing like the face or eye-tracking autofocus found on mirrorless cameras from the likes of Sony, Panasonic, Nikon, and Canon. Comparing sharpness shoot-outs. Okay, okay, this one is not really a DSLR. I’m over-simplifying here, but hopefully you get the idea (Google for more in-depth information on the subject of full-frame vs. crop sensors to learn more). Like the A7S II before it, it uses a 12-megapixel full-frame sensor. Filmmakers care about this a lot. They’re trickier to use, require proper lighting and post-production workflow but depending on your project the results could be worth it. It’s not to the level of the the Canon EOS 1D X Mark III, but for a DSLR that doesn’t cost over six grand, you can’t beat the D780. After cultivating a rabid following of enthusiast still photographers with its retro designs and fast prime lenses, Fujifilm set its eyes on video around the time of the X-T2. And steady when shooting handheld ( think vlogging ) Nikon D800, 85mm at f/1.8, 1/320, ISO.! Can even up your quality further by adding an Atomos Ninja V or similar HDMI video recorder s built-in mic... At 50mm is considerably more affordable than other Cinema cameras can usually photos. 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