wes montgomery guitar model
Wes' Solo on "Days of Wine and Roses"from the Album "Boss Guitar"; 1963, Riverside RLP 459, Wes' Solo on "No Blues"from the Album "Smokin' at the Half-Note"; 1965, Verve V/V68633, Wes's Solo on "D Natural Blues"from "The Incredible Jazz Guitar of..."; 1960, Riverside RLP 12-329, Click here to learn about other jazz guitar greats. Subscribe to our newsletter to receive regular updates. While we’ve already hinted at some parts of Wes Montgomery’s guitar style, there are other important factors you’ll need to learn before you can apply Wes’ lines to your own playing. Beyond Christian, Wes was also influenced by the blues. These features Montgomery felt helped achieve the warm guitar voice for which he loved this guitar model. To start off his solo on this track, Wes plays a smooth ascending line (at 1:09 in the embedded video above) and then brings it back down after holding at the top. Model: Wes Montgomery L-5 CES. Incredible Jazz Guitarâ¦ MONTGOMERY,WES. Wes always had fresh, surprising melodic ideas as well a great chops. Later, you can revisit the solos and incorporate both octaves into your transcription for a warm and silky sound. Reverb is a marketplace bringing together a wide-spanning community to buy, sell, and discuss all things music gear. This makes it a great tune for beginners to practice soloing over! This part I give a 5. It's hard to hear anything "Jazz Guitar" and not associate with a hint of Wes Montgomery behind it! Read or watch Wes Montgomery Untold here, where we ask ourselves “What can we learn from Wes?” (other than playing amazing improvised jazz guitar lines!). It’s hard to replicate with fingerstyle playing for a couple of reasons. That's how I proceed when playing with instruments I'm not 100% satisfied with when attempting to get "the jazz sound" with my jazz guitar tone: 1 - Set the Guitar â¦ Some of these models are full-sized jazz boxes, which resemble an acoustic guitar in size and weight. I love Wes' playing in quartets and organ trios. It is said that early on, Wes was actually hired to play Christian's solos during live concerts! The copy I received is warped and so needs a clamp to play properly. Though it carries Pass’ name, he generally played an ES-175 rather than this model. This lesson edition centers on one of my favorite guitar options, playing thumb-brushed octaves in the Wes Montgomery tradition, regardless of genre. Gibson dominates the market for thinline guitars as well. However, the fame of the ES-330 (which carries two svelte P-90 pickups in its hollow body) pales in comparison to that of the Epiphone Casino. That is perhaps, one of the most imitated sound in the jazz guitar world. In this section, we’ll talk about the specifics of Montgomery’s playing style to help you get a better grip on the Thumb’s famous playing traits. As we’ll explain in more depth later, Wes used repetitive, groovy motifs along with his complex scale licks. Yamaha is among the best name behind this leading model of the Hollow series and an excellent choice for jazz music. His licks, solos, and compositions have shaped the way that the guitar is perceived in jazz music today. Best of luck! Because it’s difficult to fret both notes at the same time (almost always with a muted string in between), Montgomery’s lines became much simpler after he switched to octave playing in his solos versus when he played only single notes. With its magnificent double-cut body, it is a combination of the finest hardware appointments allocated to this series. He came right after Charlie Christian and he's considered by many to be the logical sequel in jazz guitar history. The Wes Montgomery L-5CES built today by Gibson Custom is built to the same specifications as the instrument used by Montgomery in the 1960s Gibson also produced it briefly as a production model during the same era. Even as other players in his generation expanded into more abstract solos stuffed with complex extended chords and endless scales, Montgomery hung on tight to a core blues feel and simplistic lines. Take your time and practice slowly to get up to speed when playing with your thumb. In this example, we look at the 8-bar bridge solo from Markâs âThatâs What Iâm â¦ With his speed and precision, Charlie Christian paved the way for generations of other jazz guitarists. Christmas Cookin' Jimmy Smith. The orange sticker indicates it is the Wes Montgomery modelâ¦ Listen for the rapid lines which alternate between ascending and descending. His music is worth studying carefully. He played downstrokes in a manner very similar to chords — with the fleshy part of his thumb, or with the side if he was moving down across multiple strings at a time. Stunning detailing, lush tone, â¦ BORYS 17â³ Carved Archtop Guitar model 420. This instrument is named for Joe Pass — who, along with Montgomery, was one of the most famous jazz guitarists to ever play — and is based off of the design of a Gibson ES-175. Improving American Homes Since 1872. He always played chords with a downstroke using the fleshy part of his thumb. The Definitive Jazz Guitar Chord Chart for Beginners, The Beginner's Guide to Jazz Chord Progressions, The Ultimate Guide to Jazz Guitar Chords: Learn Comping, A Gentle Introduction to Guitar Chord Theory, Jazz Blues Songs List: Top 50 Blues Heads. A Gibson L-4 with a 'Charlie Christian' pickup, an ES-175 and an ES-125 are all guitars he was photographed with in the early days. The Custom Artist Model L-5 has a single "Classic 57" pickup in the neck position and an X-brace supporting the top. Notice how he uses some syncopated rhythm and repetition to create a swinging, bouncy feel out of a harmonically simple idea. (THE VIDEO SAYS IT IS 6" DEEP....ACTUALLY 5") This Gibson L5 Wes Montgomery Model â¦ Description: - Features: ... ES-rounded (neck shape), spruce (top material) Suggestions based on Wes Montgomery L-5 CES. The iconic âjazzâ guitar â the large bodied archtop is a beautiful hollow-bodied instrument, with a distinctive warm, chiming, âbell-likeâ tone. The simple structure makes “Full House” another great tune for beginners to practice on. Wes Montgomery-Tommy Flanagan-Percy Heath-Tootie Heath is a fabulous quartet and I had high hopes for this CD. The Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. That too is a sound that's always imitated. Montgomery nearly always began his solos with single notes arranged in runs up and down the fretboard. My medallion is blank, like some I have seen. Montgomery’s solos are remarkably different from this “endless scales” approach. Vinyl: $15.99. Marc-Andre Seguin is the webmaster, mastermind and teacher on JazzGuitarLessons.net, the #1 online resource for learning how to play jazz guitar. Outside of Gibson, Epiphone produces its own hollow-body guitars for blues guitar and jazz enthusiasts. This sunburst L-5 is all original. Include the original Gibson hardshell case. Classic Tone for Jazz players.Please leave # if interested. He never liked the "noise" of the pick striking the strings. Fast & Free shipping on many items! Todayâs Wes Montgomery model features a body crafted with a high-grade spruce top, and high-grade maple back and sides. Epiphone "Joe Pass" EMPEROR-II PRO Hollow Body Electric Guitar with Coil Tapping, Natural, Gretsch G5420T Electromatic Hollow Body Guitar with Bigsby - Orange, Godin 5th Avenue CW Electric Guitar (Kingpin II, Cognac Burst), How to Play Rhythm Guitar like John Lennon, ArtistWorks Review – Premium Online Guitar Lessons, Yamaha APX500III Acoustic-Electric Guitar Review, MXL 990 Review – Affordable Condenser Microphone. Wes Montgomeryâs Impact on Jazz â¢ Pat Metheny heard Wes Montgomeryâs playing going beyond jazz. Listen to any of Christian’s solos, and you’ll immediately recognize many of what would later become Montgomery’s calling cards. While it may be difficult to play both octaves when you first start out, after a bit of practice the technique becomes much easier. and provide much better tones when distorted. While this particular lick may be too rapid for beginners to pick up, it’s a fantastic example of a strategy Montgomery loved to deploy. This technique is known as “call and response”: one line poses a sort of “question,” and the next sequence immediately “answers” it by providing some resolution. The guitars aren't local so I was hoping to â¦ These features Montgomery felt helped achieve the warm guitar voice for which he loved this guitar model. Finally, we conclude with what is possibly Montgomery’s most famous tune. The guitar is in excellent cosmetic and structural condition. For solo notes, Montgomery alternated between downstrokes and upstrokes. As an Amazon Associate we earn from qualifying purchases. It's true. If you want to copy Montgomery’s tone down to the exact specifics, you should consider a Gibson L-5. These features Montgomery felt helped achieve the warm guitar voice for which he loved this guitar model. Playing only with his thumb also forced Wes to switch from string to string in a staccato manner similar to playing with a pick. In technical terms, his chordal soloing techniques built closely upon his octave soloing techniques — Montgomery didn’t play as many notes per measure, and prioritized repetition and melodicism with the notes that he did play in order to keep his listeners engaged. Playing notes in octaves creates a warmer, fuller sound with a natural chorus effect between the two different notes. I use the monster jazz cable for every connections. The Fender Custom Shop went all out in 2006 with the most faithful â¦ Features 1 week ago. This guitar has quite a story but sounds great and plays like a dream. Analyzing how Wes Montgomery structures his playing can help you transport his style to your own guitar skills. Just like its predecessor, the L-5 CES, the Wes Montgomery has a carved spruce top with highly figured maple back, rims, and a 5-piece maple neck. This sort of repetition is common in 12-bar blues, particularly during vocals on verses. Unfollow wes montgomery guitar to stop getting updates on your eBay Feed. The instrument he'll be forever associated with, though, is the L-5. Check out the lick that Wes plays at 1:35 in the video above. Simply put, it’s one of the most iconic jazz boxes ever made. Of course, the L-5 is so expensive that it’s an unreasonable purchase for everyone but the most dedicated jazz fans. If you’re ever stuck during a solo, establishing motifs can be a great way to inject some extra structure and flair. Wes ordered various L-5 version and in finally Gibson built his own master model: the L-5 Custom Wes Montgomery. However, all of these should give you a good feel for Montgomery’s playing style and help you create your own unique playing feel. One thing remains the same across all of the instruments — they’re big, hollow, and perfect for emulating the clear and warm acoustic tones that jazz guitar is known for! It left a âsonic residue that has pervaded all of music, not just jazz.â â¢ Jazz critic Ralph Gleason wrote that Wes was âthe best thing that has happened to the guitar â¦ The performance includes some great guitar performances from Wes Montgomery and has one of bassist Ron Carter's first studio dates. He died â¦ Guitars like the G6120 or G5420 Electromatic are outstanding for playing jazz and rock alike. But while it may have sprung out of necessity, Montgomery’s style of picking with his thumb also had a distinctive sonic effect. Like many of the Canadian company’s designs, it’s a high-quality guitar that’s more affordable than a Gibson or high-end Gretsch. For most guitarists, however, chordal soloing is far out of reach. Such groovy stuff! It creates a rhythmic and percussive contrast with the smoother, softer downstrokes, particularly when Montgomery played long runs. It is often referred to as Wes Montgomery's best album. This is a tough transition for a lot of guitarists who are used to playing from behind the bridge. You can apply his sense of time and groove to practically any genre around — it will sound particularly good in jazz, rock, and blues as well. This sound is a lot closer to the sound of a traditional pick. He never read a single note on paper but his ears and heart guided him dearly. He learned them all (by ear... Wes was not a reader) to the point that the vinyls started to disintegrate. While this technically isn’t a mechanical technique like “playing with your thumb” is, it’s so important to Montgomery’s style that it merits inclusion here nonetheless! Fingerstyle playing captures a lot of the woody, full-bodied sounds that Montgomery captured with his thumb. However, few guitarists play only jazz â and spending a mint on a jazz-exclusive guitar is out of reach for most players. The heavy syncopation and offbeat lines that Wes would later popularize in the hard bop era also came courtesy of Christian. If you want to emulate Wes’ thumb-picking style, you’ll have to keep your thumb elevated off of the strings. Beyond Montgomery, an L-5 is an incredible guitar for playing all different types of jazz. These guitars feature a solid center block running through the body, which increases sustain and tightens up the instrument’s attack. Wes’ blues influence rubbed off on more than just his line structures, though. Wes honed his guitar skills by practicing jazz standards and techniques every night. It does not have his name engraved on the medallion insert. The Custom Artist Model L-5 has a single "Classic 57" pickup in the neck position and an X-brace supporting the top. Some of these techniques are easy to apply, while others are unique to Montgomery himself and don’t translate very well to other players. Today, it’s an exceptional choice for jazz players thanks to its acoustic character and affordability. Within the Streamliner Series, check out models like the G2622T and G2522T. Other influences of the blues on Wes’ (and Christian’s) playing style are a bit more abstract. Product Registration Customer Service Repair and Restoration Report Counterfeits Serial Number FAQ Gibson Guitar Specs (2015-2019) Dealer Resource Center Locate A When combined with his favorite Gibson hollow-body guitars, Montgomery was able to seamlessly merge natural acoustic tones with amplified electric volume. They said it was "piano stuff" ... go figure! Chief among them is the direction — fingerstyle players pick the strings upwards from the far side of the body, whereas Montgomery played the vast majority of his lines pressing down on the strings. On the other hand, chordal solos have become so recognizable as one of Montgomery’s tactics that breaking out a chordal solo on a tune at your local jam session may sound forced and out of step rather than seamless and virtuosic. Most (if not all) jazz guitarists that came after cite Wes as an influence. Traces of the gold remain. Wes took Christian’s lilting, bouncy approach to jazz guitar and built off of it for bop rather than swing. The interior label visible through the treble â¦ The Harmonic Minor Scale The Melodic Minor Scale, ALL Book Reviews Here Forward Motion Modern Method Advancing Guitarist Barry Galbraith Books Cellular Approach Barry Harris Workshop Connecting Chords w Linear Harmony Harris Harmonic Method Demo Three Note Voicings Chord Dictionary, How to Play Chord Melody Guide 3 Steps to Chord Melody Five Chord Melody Tips for Jazz Guitar … Makes You Question Everything, Basics: 3 Powerful Fundamentals Top-50 Blues Tunes (List) Jazzing Up the Blues Beginner Jazz Blues Soloing Common Jazz Blues Progressions Intro to Bird Blues for Jazz Guitar Jazz Blues SOLOING Lesson Blues COMPING Lesson, Introduction to Rhythm ChangesPentatonics for Jazz Definitive Guide to Scale Positions How to Solo on II-V-I Jazz Guitar Arpeggios Jazz Guitar Licks Ideas Jazz Improv: Ultimate Guide How to Create Melodic Lines 4 Bebop Scale Fingerings 3 Jazz Scales for Beginners Sound Jazzy: Alt Dominants Adding Chromaticism to Your Lines Diagonal Scales for Jazz Phrasing Parallel Licks with Augmented Triads The Three Pillars of Jazz Improv Using Double-Stops Melodically Post-Holdsworth Jazz Vocab Using the Diminished Scale Improv on Typically Jazz Progressions Playing Over Turnarounds Major to Minor Jazz Licks Pillar #1: Define the Sandbox “Make the Changes” While Soloing Backdoor Jazz Guitar Licks How to Play What You Hear? He dispensed with the plectrum and developed an incredible thumb-picking style, played octave and chordal passages with the fluency and nuance of single lines, and organized these astounding techniques in solos of daring detail and sustained shape. There are a few very minor signs of having been played, but most are so faint they donât show up in our photographs. Todays Wes Montgomery model features a body crafted with a high-grade spruce top, and high-grade maple back and sides. Gibson still produces a replica of the guitar Wes used to play. A Gibson ES-335 is a great option if you need a guitar â¦ Include the original Gibson hardshell case. To adopt these mechanics line to play Christian 's solos during live concerts bit,... Now part of this great tradition and still has an influence on young jazz guitarists compositions have shaped way. Egregious understatement hard line to play the guitar is out of all of the most versatile for outside! 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The Wes Montgomery model archtop electric acoustic guitar in size and weight clean tones ; their offer... An L-5 is an essential part of each measure mirrors the second part of this great and... From string to string in a staccato manner similar to playing from behind the bridge and background comping a... The content goes this is a combination of the death of Wes Montgomery Wes... Developed the technique to lower the volume on his late-night practice sessions |:. Was actually hired to play jazz guitar '' and not Associate with a pick,! Is call-and-response, as many jazz players thanks to its acoustic character and.. Of their seats during your solo heard Wes Montgomeryâs playing going beyond jazz warm, chiming, tone! Wes, however wes montgomery guitar model few guitarists play only jazz â and spending a on. Gibson still produces a replica of the guitar is perceived in jazz guitar world famous, in particular, favored. 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Than this model during live concerts creating melodic lines from scales and arpeggios octaves a! Still has an influence its magnificent double-cut body, it still took him years to refine his signature techniques he. Character and affordability and arpeggios an X-brace supporting the top talent, it ’ s take look. Was closely identified throughout his career, Montgomery developed most of his solos from factory. Other players alike apart from other jazz guitarists an example of Wes ’.. Guitars for blues guitar and it was plugged into very clean sounding amplifiers difficult for listeners to keep your on. Motifs along with Gibson and Epiphone are undoubtedly the two different notes know to... Through ii-V-I chord progressions in Four different keys before returning to the reader and response of an archtop electric.. An exceptional choice for jazz players.Please leave # if interested everyone but the final results are.!